The Tin Drum (by Gunter Grass)
This is officially the first reading project book I've read all year (I think it's on the Time List and the MLA list). It's one of Ian's favorite books, but I didn't like it. I found it grotesque and unpleasant. That is such a princessy review, I know. But although it's extremely well written, it depicts a reality I did not enjoy experiencing. (And the attitude toward women is very creepy; though if that's coming from the narrator rather than the author, I guess it's appropriate.)
In addition to zoning out when reading descriptions of scenery, I also hate reading about bodily fluids or bad stuff happening to animals, and there was a lot of that in this book. Every time I was reading it while commuting with Ian I would crack it open and say "I'll let you know when I get to a disgusting bodily fluid!" and it was within a few pages. Like, I get the eel thing, but do we really need this gratuitous boil-squeezing?
I started off thinking it was fantastic, just because the writing is so amazing. I did enjoy certain passages very much (the Onion Club comes to mind as a late-in-the-game scene that I really loved.) You'd think unpleasant unreliable narrators would totally be my thing, but I guess for me, I like there to be an external reality that the reader can discover between the lines--as in two of my favorite books of all time, Pale Fire and The Remains of the Day. Even in the deposition at the end of the book, it ends up being more magical realism, whereas I was expecting to find out some crucial clue about the "reality" of Oskar's existence.
Actually, come to think of it, maybe I don't like magical realism! I also hated Midnight's Children. If I hate Garcia Marquez too, once I finally get around to reading him, then we'll know for sure.
I suspect that this novel is a whole lot of fun to unpack symbolically. I'm sure Oskar represents Germany There are way too many suggestive connections to be made there. I've just been sitting here for two minutes thinking about it and I'm like, "Of course! First he's like a child and he has blue eyes, and then after the war he grows, except he's distorted, and his two fathers are one Nazi and one cowardly Polish guy, and Oskar's cut off from his Grandmother in the East, and his grandfather is in America, and..." So that's interesting. But I am really ready to find something else to read.
In addition to zoning out when reading descriptions of scenery, I also hate reading about bodily fluids or bad stuff happening to animals, and there was a lot of that in this book. Every time I was reading it while commuting with Ian I would crack it open and say "I'll let you know when I get to a disgusting bodily fluid!" and it was within a few pages. Like, I get the eel thing, but do we really need this gratuitous boil-squeezing?
I started off thinking it was fantastic, just because the writing is so amazing. I did enjoy certain passages very much (the Onion Club comes to mind as a late-in-the-game scene that I really loved.) You'd think unpleasant unreliable narrators would totally be my thing, but I guess for me, I like there to be an external reality that the reader can discover between the lines--as in two of my favorite books of all time, Pale Fire and The Remains of the Day. Even in the deposition at the end of the book, it ends up being more magical realism, whereas I was expecting to find out some crucial clue about the "reality" of Oskar's existence.
Actually, come to think of it, maybe I don't like magical realism! I also hated Midnight's Children. If I hate Garcia Marquez too, once I finally get around to reading him, then we'll know for sure.
I suspect that this novel is a whole lot of fun to unpack symbolically. I'm sure Oskar represents Germany There are way too many suggestive connections to be made there. I've just been sitting here for two minutes thinking about it and I'm like, "Of course! First he's like a child and he has blue eyes, and then after the war he grows, except he's distorted, and his two fathers are one Nazi and one cowardly Polish guy, and Oskar's cut off from his Grandmother in the East, and his grandfather is in America, and..." So that's interesting. But I am really ready to find something else to read.